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Accepting International Applications

Groundwork is a one week professional development program for dancers and choreographers.

If you have a background in Hiphop, Dancehall, Krumping, Afrobeats, or House, and you want to learn /improve your skills in the dance theatre sector, this program is for you.

I am excited to be one of the guest teachers on the program, but a whole line up is awaiting for you!

It is a residential program, in other words, you will stay, sleep, eat and create all week in Destelheide, an amazing arts centre.

 

We are opening up a few spots for international artists.

Belgian dancers: applications are closed.

Internationals: apply ASAP or before 28th SEPT.

 

If you get selected, it only costs 120€ to do the program! (And yes that includes accommodation and food 3 meals / day).

Applicants from outside of Belgium, you will just have to travel to Brussels by your own means. The rest is taken care of by the organisation.

 

Full info & applications: https://www.facebook.com/events/2123397871313843/

 

You can also contact the organisers directly: TIMISS

 

Groundwork

Drum rolls please!

Here is a brand new opportunity for the Hiphop – Dancehall – Afrobeats – Krump community!

I will be one of the lead guest teachers on a one week course in Belgium: Groundwork. Alongside Yves Ruth, and other invited teachers, we are about to share our dance theatre knowledge with a bunch of really enthusiastic dancers and choreographers. I can’t wait!

The good news: dancers from all over the world can apply!

We will start on Monday morning. The week will be made of dance theatre workshops, creative time, reflection time, as well as a performance opportunity!!!

Everybody will reside at Destelheide during the week. It’s an incredible arts centre in Belgium. We will eat together, create together, get tired together, jam together and more! In other words, there will be zero distractions from the outside world. Only artistic expression and the team!

When I was a young dancer, I didn’t know which possibilities even existed to make a living from my creativity. It is the Hiphop Theatre world that changed the game for me. And I am always extremely excited to share what’s possible when our dance forms meet physical theatre on stage. It’s one of the most magic and rewarding experiences ever. I always see dancers’ eyes light up.

It will be a very powerful experience for myself as an artist as well.

I am about to start studying at Jacques Lecoq in Paris (physical theatre and comedy). The school gave me special permission to miss out a week of training to teach at Groundwork. I will be coming from Paris with loads of new energy and new knowledge! Let me tell you… I wanna put it in practice! So be ready to experience the fire in the belly I will be coming with all the way from Jacques Lecoq!

If you have any questions about this professional development program, please email mouss@timiss.be directly.

If your heart is saying YES to live this experience… do not let anything hold you back!! GO FOR IT!!

The program is for dance artists who are hungry to expand. There is no audition, it’s not about your technical skills, it is about your vision and your motivation.

 

PS: when they say YOUNG ARTISTS… (we have debated about this a lot) – it means 18+, but there are people who are 35 years old who want o do this as well 23 years old dance artists. We will make sure there is a focussed hard working atmosphere in the studio. You make sure you apply and don’t find excuses not to apply.

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Practical Info:

Groundwork is organised by TIMISS and DESTELHEIDE in Belgium:

Dates of the residency: 29 OCT – 2 NOV

Price: 120 euros, inclusive of food and accommodation!

MUST apply before 12 SEPT to be considered.

Info & Application Forms:

https://www.facebook.com/events/2123397871313843/

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Jacques Lecoq, the big deal!

Ladies and gents… drum rolls please…

I have been offered a place at the International School of Theatre of Jacques Lecoq (a pioneer in physical theatre, physical comedy, and more). This is… insane, a big deal, a rare opportunity, a true blessing!!!

I will be temporarily relocating to Paris for this incredible opportunity.

I am asking for your HELP TO COVER THE COSTS OF MY TUITION FEE.

REWARDS for those making a contributions!

Full info – click here

Audition Brussels – 12th Feb

BRUSSELS:

Looking for 4 additional dancers for a new & refreshing artistic project.

We are looking for dancers who have a strong background in either Hiphop / Dancehall / House / Afrobeats or Krump; to create new dance theatre work exploring the themes of police brutality in Brussels and the Belgian prison system. 

 

We are looking for dancers who:
◇have a strong interest in Hiphop Theatre / Dance Storytelling
◇are passionate about using art to bring social change
◇are eager to use creative platforms to bring new refreshing discussions to the table through art
◇are hungry for professional development

The project will offer:
◇The opportunity to work 2 days with Benji Reid, a U.K. Hiphop Theatre pioneer / choreographer and renown theatre director
◇The opportunity to work alongside Cindy Claes, choreographer based in London
◇professional development for dancers who want to expand their performance skills
◇professional development for emerging choreographers
◇networking opportunities (Zinnema, international dance exchanges, etc.)

The project is unpaid but lunch will be provided during the last week of residency. Cindy Claes Productions (UK) and Timiss (Belgium) have as focus to invest in local upcoming talent, empowering leaders of the future. Our aim is to provide a platform for growth, reflection and artistic expansion for all involved. The project is fully supported and programmed by Zinnema, an arts organisation based in Anderlecht.

Important Dates:

Audition & networking workshop:
12th February (morning)

Rehearsals (all day):
from Fri 24th March until Sun 26th March
from Fri 21st April until Fri 28th April

Show:
Sat 29th April

How to apply?

Please email TIMISS mouss@timiss.be with the following info:
max 500 words to tell us a little bit more about yourself (background and also your motivation!)
a short 3min dance video where we can clearly see your skills (freestyle / choreography / jam / battle videos accepted)

More info:
www.cindyclaes.com

Why you should book your ticket for the 24th Jan

On Tuesday 24th January, I will be performing my new re-branded solo “Things aren’t always black or white”.  While I will be warming up back stage, you will stroll into the theatre at 8pm and watch 3 companies perform their new creations at The Place.

This new solo is a political story told through Dancehall and Hiphop, tackling the problems related to the privatisations of prisons.

BOOK TICKETS HERE

I performed the piece in front of a few small audiences during the creative process, here is what they had to say:

 

I have also had the privilege to work with two mentors, Gbemisola Ikumelo, playwright and theatre director, and Frank Wilson, Hiphop Theatre expert:

 

Coming to the theatre on Tuesday will also mean you’ll get to make new friends, socialize and have a great night out, they got their tickets… are you ready to book yours?!!!

 

BOOK TICKETS HERE

 

When OM goes wrong

I can mess around quite a bit in the studio, new ideas and concepts come and go.

If you wanna know what could happen when the meditative OM goes wrong… watch this video!

Visit the website for information on character exploration workshops.

 

Dancing Character Explorations

Sometimes it is about letting loose and not taking ourselves too seriously.

When you in the studio having a creative block, give yourself a couple of minutes and throw in a character exploration jam…

Which one did you like the most and which character do you want to know more of?

 

 

Selling Yourself Without Selling Out

1000 Pieces Puzzle is a Dance Career Bootcamp ran by renowned dance theatre choreographer and playwright, Cindy Claes. The program covers absolutely every subject you could possibly need to know to carve out a career for yourself in dance.

The first training program was held in Brussels, Belgium, over 5 weekends in January and February 2015.  Supported by Zinnema, the bootcamp was a true success!

In a theatre in Belgium called “Zinnema”, a dozen dance students in the program worked with professional mentors to sculpt a short performance piece over the space of five weekends. They learned choreography, storytelling through dance, creating a character for the stage and… they even studied project management and tools to budget their shows!

Artists of all mediums have never been known to have the best business skills.

Master painter Vincent Van Gogh, the archetype of the starving artist, famously never sold a single painting in his entire lifetime. It’s exactly that mindset that Cindy is trying to change. She believes that the key to becoming successful (whilst your still alive) is a sound business sense.

During the first weekend of the bootcamp, Cindy asked the dancers to stand up in front of the group and describe themselves as an artist in less than 2 minutes. For most of the students this was confronting, they where at a loss for words and found it hard to say more than “……I’m a dancer… and hmmmm…”.

So over the next month Cindy Claes, along with Kate Scanlan (founder of Scanners Inc., UK) and Jan Wallyn (Artistic Director of Zinnema) delivered a series workshops in budgeting, networking, marketing, pitching to funders, considering target audience, amongst many more.

The challenge for the dancers was that just five weeks later they would have to pitch themselves again, but this time, in front of a professional panel of judges who would be awarding one prize to the person and creative project with the most potential.

“A lot of dancers want to put shows together… but if you don’t have the skills to articulate your ideas and vision clearly, funding bodies and theatre venues aren’t going to invest in your potential. That’s why these professional development programs are so important.”  – Cindy Claes

The heat was on, but the dancers held true to their training.  When the final weekend came, all choreographers where able to speak with clarity and confidence about themselves, their artistic vision and their plan to achieve it. Each and everyone of them had a incredible breakthrough!

Zinnema was so impressed by the transformation of the artists, their pitches, and the quality of their final shows, that they decided to award not only one prize (as originally intended) but to triple their entire prize pool!

 

Jenny Onya received a commission of 1500 €, 10 days of rehearsal space in kind and technical support to develop her work.  She created a Dance Theatre piece based on rape and the suffering of women in the Eastern Congo region.  The extract her dancers performed on the night was very moving, bringing many audience members to tears.

Mouss Sarr also received a commission of 1500 €, 10 days of rehearsal space in kind and technical support to develop a creative project he wants to produce.  Based on inter-disciplinary collaborations, Mouss will be producing a one day festival which will result in a mond blowing performance.

Camile and Anissa, two young Hiphop freestyle dancers received logistic support and business mentoring for a project that is close to their heart.  They will run a course and program for young Hiphop freestyle dancers during te winter, providing a wamr and safe space for young people to train as well as workshops in variety of street dance techniques.

 

It goes to show that there is a subtle art to being successful, and with the right mindset and the right mentor it is something anyone can learn. Talent isn’t everything. It’s only one piece of the Puzzle.

And as Will Smith would say”

“Skill is only developed by hours and hours 

and hours of Beating on your craft… 

there’s no easy way around it, 

no matter how talented you are you talent is going to fail you 

if you’re not skilled, 

if you don’t study, 

if you don’t work really hard and dedicate yourself 

to being better every single day

you’ll  never be able to communicate with people with your artistry 

the way that you want.” – Will Smith 

 

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Written by Sara Kerrison

Edited by Cindy Claes

 

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