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Why I want to study at Jacques Lecoq

Six videos, trying to explain to the readers of my blog, the incredible work of Jacques Lecoq.

Yep… I have been accepted to do the professional course at the International School of Theatre of Jacques Lecoq!

I moved to Paris last week, left my old life behind, and decided to fully invest in my future vision.

Jacques Lecoq’s work is expansive: from physical theatre, to clowning, to the deep analysis of human behaviour, to mask work, to comedy… one way to resume it is that EVERYTHING starts with movement.

Dancers, gymnasts, circus artists, theatre directors and actors train at the school. There are no boxes artists are stuck in. The technique is a whole.

I set up a crowdfunding campaign to help me cover the costs of my tuition fee.

It is a private school. With the support of over 100 people, I was already able to raise over £4000! Yet, I need £7125 to finish the year.

 

Only 24H left to make a donation towards my crowdfunding campaign.

DONATE – CLICK HERE

I made a few short video clips – a mix of videos and documentaries I found on Youtube – trying to explain how rich and groundbreaking Jacques Lecoq’s approach to theatre is.

 

The first time I entered this historique place… the studios of the Jacques Lecoq’s school, I felt home!

The training and the quality of the teachings brought me to tears. It was calling me.

 

Imagine this kind of knowledge being available to more Hiphop, Dancehall and Krump Theatre artists.

That’s what you’ll be investing in, in a bigger vision.

 

DONATE – CLICK HERE

 

VIDEO 1

 

VIDEO 2

 

VIDEO 3

 

VIDEO 4

 

VIDEO 5

 

VIDEO 6

 

Thank you for your support!

DONATE – CLICK HERE

 

 

Groundwork

Drum rolls please!

Here is a brand new opportunity for the Hiphop – Dancehall – Afrobeats – Krump community!

I will be one of the lead guest teachers on a one week course in Belgium: Groundwork. Alongside Yves Ruth, and other invited teachers, we are about to share our dance theatre knowledge with a bunch of really enthusiastic dancers and choreographers. I can’t wait!

The good news: dancers from all over the world can apply!

We will start on Monday morning. The week will be made of dance theatre workshops, creative time, reflection time, as well as a performance opportunity!!!

Everybody will reside at Destelheide during the week. It’s an incredible arts centre in Belgium. We will eat together, create together, get tired together, jam together and more! In other words, there will be zero distractions from the outside world. Only artistic expression and the team!

When I was a young dancer, I didn’t know which possibilities even existed to make a living from my creativity. It is the Hiphop Theatre world that changed the game for me. And I am always extremely excited to share what’s possible when our dance forms meet physical theatre on stage. It’s one of the most magic and rewarding experiences ever. I always see dancers’ eyes light up.

It will be a very powerful experience for myself as an artist as well.

I am about to start studying at Jacques Lecoq in Paris (physical theatre and comedy). The school gave me special permission to miss out a week of training to teach at Groundwork. I will be coming from Paris with loads of new energy and new knowledge! Let me tell you… I wanna put it in practice! So be ready to experience the fire in the belly I will be coming with all the way from Jacques Lecoq!

If you have any questions about this professional development program, please email mouss@timiss.be directly.

If your heart is saying YES to live this experience… do not let anything hold you back!! GO FOR IT!!

The program is for dance artists who are hungry to expand. There is no audition, it’s not about your technical skills, it is about your vision and your motivation.

 

PS: when they say YOUNG ARTISTS… (we have debated about this a lot) – it means 18+, but there are people who are 35 years old who want o do this as well 23 years old dance artists. We will make sure there is a focussed hard working atmosphere in the studio. You make sure you apply and don’t find excuses not to apply.

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Practical Info:

Groundwork is organised by TIMISS and DESTELHEIDE in Belgium:

Dates of the residency: 29 OCT – 2 NOV

Price: 120 euros, inclusive of food and accommodation!

MUST apply before 12 SEPT to be considered.

Info & Application Forms:

https://www.facebook.com/events/2123397871313843/

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Dance storytelling… some videos!

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Here are a few videos of some dance stories I worked on over the years:

from solo’s to full length productions… from working with professional dancers and students on their journey into the dance theatre world… here are a few extracts of showcases and rehearsals.

I am running dance storytelling workshops for all levels, and I also lead an intensive leadership program for choreographers called 1000 Pieces Puzzle. Please get in touch if you would like to book the program in your city / country / school!!

https://www.youtube.com/watch?v=YrdssTBuqGw

Book your tickets NOW for Cindy’s upcoming solo performance!

 

I am starting the year sweating and rehearsing for my next upcoming solo. Clear your diaries and make sur you are free for…

“Things aren’t always black or white”

TUESDAY 24th JANUARY

at 8pm, The Place

(near Euston tube station)

BOOK YOUR TICKETS HERE

 

VIDEO TRAILER:

WHAT INSPIRED “Things aren’t always black or white”?

The story of what and who lead me to create this solo is quite a journey… From NYC to Philadelphia to Brussels, I came across so many signs, people, cold factual information, tears, questions and events that it all had to be translated into a piece.

One of the shocking images that stays in my mind each time I rehearse is… those 50 coffins. Visiting my Krump dance family in Los Angeles in 2016, I saw bout 50 coffins when entering the dance studio…

It was an arts project. Young men who passed away at the hands of police brutality were remembered through colors, collages and graffiti art.

“Things aren’t always black or white” is a Dancehall / Hiphop Theatre piece, a dark poetic dance drama, exploring the themes of police brutality, mass incarceration and the ugly realities of privatized prisons.

My solo performance is part of Resolutions, a triple bill shared with MCDC and Jannick Moth. We are all very eager to bring a raw night of dance theatre to our audiences.

TICKETS:

http://www.theplace.org.uk/whats-on/jannick-moth-and-company-cindy-claes-productions-mcdc

Thank you for your support, looking forward to sharing this piece with you,

Cindy

Selling Yourself Without Selling Out

1000 Pieces Puzzle is a Dance Career Bootcamp ran by renowned dance theatre choreographer and playwright, Cindy Claes. The program covers absolutely every subject you could possibly need to know to carve out a career for yourself in dance.

The first training program was held in Brussels, Belgium, over 5 weekends in January and February 2015.  Supported by Zinnema, the bootcamp was a true success!

In a theatre in Belgium called “Zinnema”, a dozen dance students in the program worked with professional mentors to sculpt a short performance piece over the space of five weekends. They learned choreography, storytelling through dance, creating a character for the stage and… they even studied project management and tools to budget their shows!

Artists of all mediums have never been known to have the best business skills.

Master painter Vincent Van Gogh, the archetype of the starving artist, famously never sold a single painting in his entire lifetime. It’s exactly that mindset that Cindy is trying to change. She believes that the key to becoming successful (whilst your still alive) is a sound business sense.

During the first weekend of the bootcamp, Cindy asked the dancers to stand up in front of the group and describe themselves as an artist in less than 2 minutes. For most of the students this was confronting, they where at a loss for words and found it hard to say more than “……I’m a dancer… and hmmmm…”.

So over the next month Cindy Claes, along with Kate Scanlan (founder of Scanners Inc., UK) and Jan Wallyn (Artistic Director of Zinnema) delivered a series workshops in budgeting, networking, marketing, pitching to funders, considering target audience, amongst many more.

The challenge for the dancers was that just five weeks later they would have to pitch themselves again, but this time, in front of a professional panel of judges who would be awarding one prize to the person and creative project with the most potential.

“A lot of dancers want to put shows together… but if you don’t have the skills to articulate your ideas and vision clearly, funding bodies and theatre venues aren’t going to invest in your potential. That’s why these professional development programs are so important.”  – Cindy Claes

The heat was on, but the dancers held true to their training.  When the final weekend came, all choreographers where able to speak with clarity and confidence about themselves, their artistic vision and their plan to achieve it. Each and everyone of them had a incredible breakthrough!

Zinnema was so impressed by the transformation of the artists, their pitches, and the quality of their final shows, that they decided to award not only one prize (as originally intended) but to triple their entire prize pool!

 

Jenny Onya received a commission of 1500 €, 10 days of rehearsal space in kind and technical support to develop her work.  She created a Dance Theatre piece based on rape and the suffering of women in the Eastern Congo region.  The extract her dancers performed on the night was very moving, bringing many audience members to tears.

Mouss Sarr also received a commission of 1500 €, 10 days of rehearsal space in kind and technical support to develop a creative project he wants to produce.  Based on inter-disciplinary collaborations, Mouss will be producing a one day festival which will result in a mond blowing performance.

Camile and Anissa, two young Hiphop freestyle dancers received logistic support and business mentoring for a project that is close to their heart.  They will run a course and program for young Hiphop freestyle dancers during te winter, providing a wamr and safe space for young people to train as well as workshops in variety of street dance techniques.

 

It goes to show that there is a subtle art to being successful, and with the right mindset and the right mentor it is something anyone can learn. Talent isn’t everything. It’s only one piece of the Puzzle.

And as Will Smith would say”

“Skill is only developed by hours and hours 

and hours of Beating on your craft… 

there’s no easy way around it, 

no matter how talented you are you talent is going to fail you 

if you’re not skilled, 

if you don’t study, 

if you don’t work really hard and dedicate yourself 

to being better every single day

you’ll  never be able to communicate with people with your artistry 

the way that you want.” – Will Smith 

 

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Written by Sara Kerrison

Edited by Cindy Claes

 

65 59 47 16 11

Solo Hip hop and Dancehall Theatre performance on SAT 15th NOV

Exciting news!!!

 

I will be performing my Hip hop Theatre & Dancehall Theatre solo piece “Time is Ticking, Phone is Ringing” this SAT 15th NOV.  Buy your tickets asap (call: 020 7622 9208) , come and enjoy a night of solo madness at the Lost Theatre in London!  An amazing line up of artists is awaiting you!!

 

SAT 15th NOV

7pm

BreakOut The Solos

at the Lost Theatre

£10

 

 

“Time is ticking, Phone is ringing”, my latest solo piece. The story of someone in search for love & romance while following a drive, a passion and perhaps a need for success. What to choose? Which relationships are toxic? How to see and understand when a relationship is unhealthy? Are we having our priorities right, how can we justify choosing success over people? Shall we go for the dream or shall we go for love?

A solo piece that raises many questions through Dancehall Hiphop and a bit of Krump.

Breakouthesolos

Hip hop Dancehall Krumping – … from the streets to the Theatre…

Bringing Hip hop from the streets to the Theatre wasn’t a natural progression “per se”… artists had to fight for it and break down walls. Today the movement of Hip hop Theatre, Dancehall Theatre and Krumping Theatre is growing. In some countries street dancers creating Theatre work still are not valued, in other parts of the world the art form has been embraced and acknowledged long time ago… Which challenges do we, as Hip hop dance theatre, Dancehall Theatre, or Krumping Theatre makers have to face today?

Sharing a few thoughts on my video blog series… I could talk about it for hours, but I am trying to keep the videos short… 🙂

If you have questions, please holla at me!

Cindy